Migration Pulse
Lights, camera, points

Meghan Horvath is a filmmaker based in London. Her feature length documentary The Middle Men won ‘Best British Documentary’ at the 2010 London Independent Film Festival and her documentary A Dollar & A Dream about the 2008 American presidential election has been released online. Prior to this her short documentary Anyway, Who Are You? about refugees to the UK was broadcast on Channel 4 as part of the Three Minute Wonder Series. Currently she is finishing her first short fiction Seduction and is developing two new documentary film projects in Eastern Europe. Meghan studied at New York University and the London School of Economics.
You could say exploring the world beyond my own is in my genes. My grandfather, with his mother and his accordion, caught the last open wave of immigration from Eastern Europe to America in the 1920s. His name is engraved on a wall on Ellis Island, New York City, which was once the bustling welcoming centre for all those who braved the journey across the ocean. And so I grew up in America with the sense that a part of me was also elsewhere.
Many years later in late 2005 I eventually found my way to London after winning a scholarship to do a masters degree at the London School of Economics. I had been working in New York City as a documentary film producer on American historical films, but craved something broader. I wanted a different geographical base from which to look out onto the world.
After my graduation I decided to make a go of having a life in the UK. Why not? I enjoyed living in England, and although not looking for a better life, I was indeed looking for a different one. I guess you could say I am a different type of ‘migrant’, one that does not fit into the categories discussed regularly in the British newspapers.
An artist never stops working but ironically a steady stream of income is never guaranteed. A friend who works in finance was surprised my income had not steadily climbed each year since I started working. As an artist there are boom years and there are bust years. And in my time in the UK I have had to do various jobs to make ends meet.
But now that my career here is starting to feel established I am in the peculiar situation of having to do various jobs not just to make ends meet but to meet the income criteria for my upcoming visa renewal.
Collecting the points
Here’s why. Since deciding to stay in the UK to live and work I have had two different visas (‘Highly Skilled Migrants’ and ‘Tier 1 General’), both of which are points-based. What does this mean? It means that one must earn 75 points to have a successful application and one earns the bulk of their points in two categories – age and income.
'People find it surprising when I explain the points system in more detail. In fact a lot of my British friends have confessed that they would not chalk up enough points to be able to settle here.
To spell out what I think is the absurdity of the points system for artists or for anyone working in the creative sector I will give a few examples of what is required: (NB: the points table below is only for those who had their first leave to remain before 6th April 2010, as unfortunately the table is more difficult for those who have received their first leave after that date).
- Bachelor’s degree - 30 points
- Master’s degree - 35 points (but you can’t earn the 30 points for the bachelor’s as well)
- 28 years of age? - 20 points
- 28 or 29 years of age? - 10 points
- 30 or 31 years of age? - 5 points
- 32 or older? - 0 points
The remaining points you need to have 75 must be earned in the income category. If your income is:
- £16,000 – 17,999.99 – Earn 5 points
- £18,000 - £19,999.99 – Earn 10 points
- £20,000 - £22,999.99 – Earn 15 points
- £23,000 - £25,999.99 – Earn 20 points
- £26,000 – 28,999.99 – Earn 25 points
- £29,000 – 31,999.99 – Earn 30 points
- £32,000 - £34,999.99 – Earn 35 points
- £35,000 – 39,999.99 – Earn 40 points
- £40,000 or more – Earn 45 points
My visa expires on 4th April 2012 at which time I will apply for ‘indefinite leave to remain.’ At that point I will have been in the UK for exactly 6.5 years. The UK is my home. To leave now would be unsettling.
It looks as though I am on course for making my income target, thus earning my required 75 points, but this has only been possible because I have taken on 3 jobs in the past year. Needless to say I look forward to the day when I can concentrate solely on filmmaking, without the burder of having to meet an income target.
What’s ahead for Britain?
In many respects America is a closed country. It is incredibly difficult to obtain a visa to go there and work and when friends and colleagues compare the UK and America’s biggest cities, they say London is by far more cosmopolitan than New York.
But will it stay so? In my mind the obvious question in response to this points-based system is: What kind of society do we want? I think it’s an incredibly relevant one in light of the upheavals around the world in 2011 as it seems the concepts of society and citizenship seem to be at the forefront of many minds.
Continuing this restrictive points-based system will no doubt shape British society because it favours non-EU migrants in the commercial sector while closing the door on those in the arts. And what will that look like over time?
My situation is just one example of how the government’s aim to control migration is affecting the lives of individuals who are here legally (and with no legal right to public funds), who pay taxes, and who make a cultural contribution to society through their work. No doubt there are many others who could tell a similar story.






Comments
Very good blog Meghan. I've just signed the petition and hope every other visitor to this post will do so.
One additional thing - the Home Office rejigged Tier 1 to create an 'Exceptional Talent' category which reserved 1000 visas each year for "potential world-leading talent in the fields of science and the arts." They managed to rope in a number of science and arts establishment institutions, such as the Arts Council, who very naively gave their backing to the category thinking it would help them in their mission to maintain the position of the UK as a leading international centre for the arts and culture.
Rumour has it that the whole gig has fallen flat on its place, with a pitifully small number of people applying for the visa and only around half a dozen being granted one. UKBA officials are reported to be baffled by the lack of take-up on this one. May be there are people reading this posting who would like to tell them.....
Meghan, this is a powerful statement that resonates with many artists who migrated to the UK throughout history whose art flowered and flourished in the UK. Where would British culture be now without TS Eliot, Anish Kapoor, Rudolf Nureyev and many other burgeoning talent of the times?
In response to Freddy Toot's important observation about the Home Office/UKBA's Tier 1 visa for exceptionally talented artists: 300 visas have been set aside for non-EU "exceptionally talented artists" who wish to stay in the UK for 2-5 years, open for application until 5 April 2012. It will then be reviewed. Arts Council England is the endorsing/assessing body for artists. The Manifesto Club is concerned by rumours that applications have been pitifully low! People have been informally asked to "spread the word". We are equally concerned that, unlike the British Academy which assesses applications from non-EU scientists, Arts Council England has made no mention at all in its criteria to encourage artists with "exceptional promise". This is, in our view, a serious oversight which we will raise with the Arts Council.
A poor response from the international arts sector could imply that the perception from overseas artists is that Britain is no longer a welcoming host.
I completely agree that the change of points system and the Tier 1 "Exceptional" plan is bonkers. Artists, Scientists, and creatives of all type flourish at levels which cannot be measured by age, degree or income. This type of plan simply points to the fact that arbitrary restrictions placed on people will simply drive them to the decision to not come. With the glut of restrictions that could possibly be placed on incoming visa holders in 2012 it will only get worse. I know if I was looking to move abroad I wouldn't come to the UK, there is too much uncertainty and the media paints immigrants so negatively! Who would want to come to a country where that is your welcome?
It's a shame that the current government choices feed into the crazy right now. Thank you for writing about what you've had to do in order to see your dream through and encourage others to fight for theirs.
Great post Meghan :)
I think the most unfair thing about this point system is the way it treats self-taught artists. If you look at the chart of the point system you have down in your post, for a non-EU artist to stay in the UK, she/he NEEDS to have gone through « formal » education. According to this point system, a non-EU self-taught artist can simply not stay in the UK, as even if she/he is under 28 (20 points) and earns more than 40'000£ a year (45 points), this adds up to 65 points which is not enough to reach the required 75 points...
Hi Nathalie,
You've made an important point about how Tier 1 and Tier 2 of the Points-Based System discriminates against self-taught artists. The Manifesto Club documented the unfortunate case of the brilliant artist-illustrator Nikhil Singh in our document: http://www.manifestoclub.com/deporteddossier
Nikhil collaborated on the critically acclaimed graphic short story, All Along The Watchtower published by a mainstream publisher, and lived in the UK for some years, having established a life here. However, he was forced to return South Africa because he didn't hold a degree!
http://forbiddenplanet.co.uk/blog/2009/nikhil-singh-acclaimed-comic-arti...
You can also read a great interview with Nikhil via the following link:
http://caribbeanbookblog.wordpress.com/2009/11/05/nikhil-singh-speaks-out/
Hi Manick,
Thanks for sharing all the interesting links about the case of Nikhil Singh. I had never heard about it and needless to say, I am absolutely outraged...
I have done a lot of work with artists and would welcome a chance to speak with you about your experiences
Post new comment